The Peasant Feasts in Abruzzo

 

Memory and Value

The tempora of lent or of rebirth

The Pentecost tempora or Rebirth

Tempora of september or of the thanksgiving

Tempora of the Advent and winter fires

Pictures of Paesant Fes

Pollutri (CH) - La cottura delle fave durante la festa di S. Nicola

See “Calendario Abruzzese Cento feste contadine per un anno” ed. Menabò d’Abruzzo libri, Pescara 1997 for a general bibliography about Abruzzese peasant festivals. 

 

 

 

 

 

 

 

 

 

Bucchianico (CH) - La processione dei Banderesi Loreto Aprutino (PE) - La processione del lunedì di Pentecoste con il bue di San Zopito

Bucchianico (CH) - The Banderesi procession

Loreto Aprutino (PE) - The procession of Monday of Pentecost whit st. Zopito's ox

Acciano (AQ) - Festa di Sant'Erasmo nella prima domenica di giugno Sulmona (AQ) - La processione di Pasqua - La Madonna corre incontro al figlio risorto

Acciano (AQ) - St. Erasmus' feast on the 1st Sunday of june

Sulmona (AQ) - Easter procesion- The Virgin running towards her risen son

Fara Filiorum Petri (CH) - Le farchie per la festa di Sant'Antonio Abate Cucullo (AQ) - San Domenico e la festa dei "serpari"

Fara Filiorum Petri (CH) - The "Farchie" for St. Antony's feast

Cucullo (AQ) - St. Domenic and the feast "serpari" (snake holders)

 

 

 

 

 

 

 

 

 

 

MEMORY AND VALUE

The peasant calendar in Abruzzo, like any other region with a socio-economic aspect, mainly rural, is still functional and rich of events in which it is possible to find a religious continuity showing an archetypal of the sacred and ceremonial syncretism of great spiritual impact.

Here it is suggested an observation of the peasant feasts regulated by a division of the Quattro Tempora which allow a functional and thematic classification.

The tempora were regulated by the new-moon vid. The first week preceding the Lent, the week after the Pentecost, the third week of September and the third week of the Adven

They lasted seven days and were dedicated to the penitence, the fast, the purification and thanking accompanied by specific celebrations absorbed later by the Christian Liturgy, but seen from a sacral and symbolic level they were performed by para-liturgical and simply traditional functions.

The great peasant feast of this period is Carnival with its culture of the excess, the breaking and the infraction of the rules. The masked carts and the carnival parties have replaced in the towns the typical expressions of the rural world.

The innovating spirit which animates the first Tempora can still be found in the feasts of St. Anthony abbot, St. Sebastian and St. Biagio popular all over the region.

There are three different ways of celebrating St. Anthony:

1st – groups of young people go door to door singing legends about the St.’s life;

2nd – Fires are lit in honour of the Saint;

3rd – Show of food and distribution of it.

Every year in Cermignano at the weekend before the 16th of January different groups, not only from the Medieval village, but also from the surrounding area gather around giving way to a kermesse in the streets and squares of the village. Stalls are garnished with liver and meat sausages (Montonico wine and “cillitte de sandandonie”), typical tarallos to soak in the wine.

In Fara Filiorum Petri, the name comes from Lombardics, the inhabitants celebrate St. Anthony, lighting up “le Farchie”, huge faggots of reeds, more than ten metres high. “Farchia” is an arabic word (afaca).

The tradition of the fire is well-known all over the Mediterranean coast, but those from Fara are famous for their size and the number. The twelve “Farchie” corrispond to the twelve districts of the village. The reeds are stolen (at least this is the tradition) and groups of young people start building the Farchie some days before the feast. These big faggots used to be carried on carts as far as the little church of St. Anthony. Now tractors are used, but the fesast still preserves is gaiety because the tractors are full of people singing local songs about the Saint accompanied by a typical musical instrument (organetto or dubotte).

It is getting dark and shadows are coming down, the burning Farchie offer an unforgettable show to the spectators. When the fire has burned down all the reeds the feast goes on in each district where the inhabitants gather around the remains of their own Farchia.

Some inhabitants keep a burning brand to protect themselves from misfortunes and to mark with a cross cows, pigs and horses of the house.

The exhibitions, the excess and the distribution of food is characteristic of the Panarda of the Villalonga. It seems that the word Panarda come from the Indo-European route (PAN) which means “Abundance”. The most spectacular aspect of the Panarda relies on the quantities of the courses, sometimes over fifty and in the tradition obliging the guests to eat all the courses. Villalonga is a small village in Abruzzo National Park. The popular tradition tells about a woman belonging to the Serafini Family, who left her child in the cradle at home and went for water. On the way home, she met a wolf carrying her child in its mouth. She called on St. Anthony and the wolf left the child. The woman promised the Saint a feast around the fire, the Panarda. Today the families involved in this ceremony are about twenty.

On the evening of the 16th of January they lay the tale for a big banquet lasting all night long. An altar with the image of the Saint is placed in the room where the banquet takes place. Cakes, fruit and eggs are all around the image. When all the guests are at table, the “Panardere” that is the hoist, recites the rosary, the litanies and then starts singing the Saint’s prayers. Then he orders the guests to be served. The menu is more or less the same: chicken and beef broth, boiled meat, egg macaroni with mutton ragù called “St. Antony’s macaroni”, boiled mutton, boiled broad beans, fried cakes, “the ferratelle”, and fruit.

Groups of young people, singing St. Anthony’s prayers, go from one “panardere” to another. They are welcomed and treated with food and money. The morning after, all the guests are served with the last course: bolied broad beans, special bread and a glass of wine.

In Collelongo and Scanno two more feasts take place.

In Collelongo seven families cook in a big copper pot called “cottora”, great quantities of maize. Friends and relatives are always welcomed. They join the beliers praying. They are treated with wine and cakes. Among the musical instruments they use there is also the bagpipe. In the morning the boiled maize (cicerocchi) are distributed to all the people who take part in the feast.

Recently a competition among all the girls has been started. They decorate the typical Abruzzese copper pot called “Conca” in order to get the first prize.

In Scanno the inhabitants and the guests are traditionally treated with “sagne con la ricotta” (home-made pasta with ricotta). The “sagne” are offered by the ancient local family Di Rienzo. The ceremony, led by the parishioner, starts off the Carnival representing the craziest period of the

 

 

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The tempora of lent or of rebirth

IThe first part of the peasant’s holiday year starts with the new moon before the Lent and its main functions are: Purification, the readjustment of the roles and of the social status, the redistribution of foodstuffs. The great peasant feast of this period is Carnival with its culture of the excess, the reversal of the rules. It must be said that the urban model of the dressed-up carts and of the carnival parties have almost cancelled the real expressions of the rural world. It is sufficient to mention the itinerant representation of the company of the twelve months in which twelve men, led by an old man personifying TIME used to repeat, at a symbolic level, the labour and the characters of the fields or wedding processions; they too formed strictly only by men, in which obscenity had the task to attract the attention on the low parts of the body considered the beginning of life.

The spirit of renovation which livens up the “Prime tempora” can be found especially in St. Anthony Abbot’s feast, St.Sebastian and St. Biagio so common in all the region as regards to St. Anthony.It must be said that in Abruzzo three different models can be noticed: the one characterised by the itinerant begging accompanied by the singing of the prayers and the legeds concerning the Saint’s life; the one characterised by the lighting of fires and finally the one characterised by the showing off, the excess and the redistribution of food.

Very often the above mentioned three forms mix up in one feast and on the 16th of January groups of young men go around fields and villages. Lately, in Cermignano, on Saturdays and Sundays before the 17th of January groups of begging people and Companies dramatising St. Anthony’s life meet.

From the surrounding areas, from other Provinces and from other regions people come and watch the cultural characters of this ancient form of popular and religious plays.

A scientific committee study the visual materials, the sounds and the texts pointing out the change of this cultural aspect.

In the historic centre of the town tables are laid with all kinds of foods. First of all sausages made with pork liver and meat; in fact St Anthony is always represented in the popular iconography in company of a pig (Santo del porcello).

The Montonico wine, typical vines of Poggio delle Rose, not far from Cermignano, and “Li cillitte de Sand’Andonie” (bird-shaped cookies) to be soaked in the wine are the deli of the feast. 

 

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The Pentecost tempora or Rebirth

he fundamental moments of Pentecost Tempora are: The Lady Day, St. Marc, the first of May, Pentecost, Trinity, St. John, St. Anne, Lent, while peculiar expression of the Tempora is the liturgical ceremony of Rogations Days. Let’s take as examples of these feasts:



1- The Banderesi from Bucchianico;

2- St. Zopito from Loreto Aprutino;

3- St. Gemma from Goriano Sicoli

The feast of Bucchianico is one of the most complex feasts concerning the peasant religiousness. The feast is in honour of St. Urbano Pope who, according to the tradition, saved with a military device the village of Bucchianico besieged by the inhabitants of Chieti during the period of the Mdieval city-Republics. The central characters of these feasts are the Banderese and the Sargentiere (Sir Gentil). The former is chosen among the peasant families; he must be married and have at least two sons. He will be in charge all year long of all ceremonies and the feasts of the village. While the latter, the Sargentiere, is hereditary and belongs to the Tatasciore-Papè family. The Banderese breeds a calf which will be eaten during the banquet of St. Urbano. After collecting the money around the 17 May the Banderese family starts making bread, (panicelle and pizze) which will be eaten and distributed during the feast. The altar with the image of St. Urbano is even more garnished with cakes, bread and the hats which will be worn the by Banderese’s sons during the ceremony. On the Sunday before the 24 May all the families of the village gather in the Banderese’s house. The women carry big baskets decorated with flowers and ribbons full of any edible things. The ceremony is characterised also by a row of carts belonging to the different districts and according to the arrangements made with the Banderese, each cart represents different things: bread, wine, wood and the bed on which the Banderese will sleep in the feast period in the town Hall. After each meal in which a thousand people will take part a parade led by the sacrificial calf will reach the fortress of the village. Each cart carries groups of young people playing typical local instruments. The parade is welcomed by the Sargentiere. Here a typical dance (Ciammaichella (little snail) ) takes place. The Sargentiere leads a spiral movement which looks like a coloured snake. Popular skilful games follow before the feast comes to a conclusion in the evening around a table when the Sargentiere and the Banderese families sit for dinner. On the afternoon of 24 May the two captains, followed by their sons, witness the opening of the oly door on the crypt of St. Urbano Chhurch. On the 25, in the morning, the Sargentiere is given a sword and the Banderese’s wife gives her sons two golden ring, from now on the Sargentiere and the Banderese get the right to ride horses, armed with their swords. On the 26 the feast comes to an end; the arms, the candles and all the other things are left in the crypt where they remain until the following year.

Another spectacular feast takes place in Loreto Aprutino. An ox expressly trained is decorated with ribbons and every sort of shining gadgets leads a parade along the streets of the village ridden a very young boy with a carnation on his mouth and headed by a bagpiper. The ox is covered with a red saddle cloth on which are pinned images of St. Anthony and St. Zopito.

The various craftsmen are responsible of the specific aspects of the ceremony. Some scholars think that this ceremony has very ancient origin. The legend tells that on the Monday after the Pentecost in 1711 while the procession accompanying the holy relic of the Saint was reaching the village, a farmer working on his field went on inn his job, ignoring the procession. Suddenly his ox knelt. In that precise one of the farmers’ was miraculously healed. The farmer’s family gave the ox as an ex-voto.

A spectacular ceremony takes place in Gorano Sicoli,a village on the sheep-track Cellano- Foggia. A procession led by a barefoot girl carrying a church candle decorated with ribbons, banknotes and precious objects assigned to St. Gemma. The girl wears a traditional costume and is followed by relatives and friends. They come from San Sebastiano di Bisegna, a small village in the heart of Marsica. The mayor of Goriano and other authorities meet them at the entrance of the village and altogether reach the district of Bagliucci where they are welcomed by a woman, the wife of the responsible of the feast. The house is full of cakes, bread and every sort of edible things. Here a bed, where the girl will sleep is made by the women of the village. Then the girl accompanied by other girls of the same age walk around the village distributing the holy bread. The day after the girl says goodbye to the inhabitants of Goriano and goes back to San Sebastiano. The tradition recalls St. Gemma who was born in San Sebastiano in 1372. because of an epidemic she was hosted by a family from Goriano. Here the Count of Celano fell in love with her but she refused to marry him and lived the rest of her life in a poor hut along the sheep-track. She died on he 12 May 1426 and soon after a lot of prodigious events took place. She was made Saint quite soon. Of course this tradition implies archaic elements concerning a pantheon where the Great Mothers had an important role. 

 

 

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Tempora of september or of the thanksgiving

In Santa Maria di Ronzano there used to be a Benectine Abbey and centuries ago fairs took place there and this was an opportunity to thank the patron Saint of the village for the harvest and to exchange goods with the monks. The fair still goes on and it is linked to the peculiar ceremony of the Pupa (doll). The pupa is a huge papier-machè doll built on a reed structure. It represents a woman with a voracious figures. On the head and along the body, especially on the naked breast, the pupa has fireworks. The inside of the pupa is hollow, so a man can make it dance and move from the inside.

In Cappelle a competition of pupe has been taken place lately. Each district enters the competition with its own pupa. The winner will be the most beautiful explosive pupa. After St. Anthony abbot, another very celebrated Saint in Abruzzo is San Rocco. He is the protector against epidemics. According an anonymous biography he was born in France, and after distributing all his possessions to the poor, he went to live in Rome.

On his way back to France he fell ill because of a terrible plague and stopped along the Po banks where he lived in solitude and prodigiously helped by a dog.

Some scholars think this cult replaced pagan deities. In Castelvecchio Subequo the celebration of San Rocco is managed by the Santini family who are the keepers of ancient images and the treasure of the Saint. The treasure gets bigger and bigger with new ex-voto given by the believers year after year. On the day of the feast the Santinis dress up the Saint with large ribbons covered with precious golden objects. Then the procession starts and the Santinis collect the money offered by the believers. This money is used to pay the whole cost of the feast and oother precious objects are bought and kept in secret by the Santini family.

In Serramonacesca, at the foot of the Maiella, an old tradition takes place. It is called “miejie”, omaggi (homages). On the first Sunday of September, the inhabitants of the village offer to an old statue of St. Anthony called, because of its dimension, “little St. Anthony”, a lot of gifts, most of them agricultural products, cakes, salami, eggs, pecorino cheese, hams and other delicatessen. All these gifts are put on a structure made of reeds like a pyramid. These homages can be enriched with bottles of wine, chickens, ducks, jam even underwear. All these things are laid outside the church and soon after the mess an auction will be carried on.

Another peculiar ceremony takes place in Pacentro, on the first Sunday of September in honour of the Madonna di Loreto. All the young of the village take part in race barefoot. From the pick of the mountain the run down as far as the brook Vella and then they go back to the village running through its street and of course their feet often injured and cut by bushes and stones. When they reach the altar of the Madonna the lay down exhausted. The winner will be given a cloth to make a suit. After being cured the winner will be carried on shoulders through the streets of the village and his relatives and friends will distribute wine and biscuits to all the inhabitants.

In a small district of the town of Teramo, on the 23rd of September, a parade of young people: a standard bearer, two soldiers, one carrying a spear, the other a sword, a drum beater and a bass-drum beater, leave the church and head towards the main square followed by the crowd. The standard bearer starts dancing according to a 6/8 tune surrounded by the crowd. Then a pretender steps out of the crowd, starts dancing asking for the standard. All the people in the crowd can be pretenders and nobody is excluded. If an edge of the standard touches the ground the pretender is invited by the two soldiers to give the standard to someone else. The dance goes on for about an hour, then the standard bearer claims it back and after kissing it he puts it on his shoulder and starts towards his house. 

 

 

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Tempora of the Advent and winter fires

St. Martins feast is characterised by cheerfulness and enjoyment. On the Eve of St. Martins groups of boys and children go from door to door holding a big hollow pumpkin as a lamp. The new wine and the dark atmosphere of the coming Autumn invite to gather around tables covered with roast sausages and roast sucking pig. Some scholars recognise this tradition as a consequence of the Celtic New Year spread out by the Lombard domination.

In Scanno, on St. Martins Day groups of boys shouting and calling each other along the streets collect wood and branches in order to make a big bonfire. 

Around the bonfire a cheerful atmosphere involves everyone. This atmosphere can be ascribed to the ceremonies of the purification and renewal typical of the primitive and naturalistic religions in which the fire represents a liturgical element. The young people around the bonfire dance with their faces covered with soot and shaking big cowbells and other objects making big noise.

At the end of the feast a burning brand is given to the new bride in each district. In return the young people will get sausages and other products. According to the scholars’ interpretation the new bride represents the young Great Mother sacrificed for the common goodness.

“Faugni” are called the bunches of burning reeds made in honour of the Immaculate Conception in Atri. The inhabitants of Atri, on the 8 of December, form a long procession holding these bunches of burning reeds. 

 

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